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Buch-Kritik: „Es war einmal in Hollywood“ – Quo Vadis, Quentin?
„Black Widow“: Feminismus, Sexismus und Familientragödie – Marvel wird mutig
Crosby, Stills, Nash & Young
Déjà Vu
The Who
The Who Sell Out (Super Deluxe Edition)
Steve Cropper
Fire It Up
Kritik: Stephen King: „Später“ – die Geister, die er rief
Neil Young: „After The Gold Rush“ – eigenwilliger Homerecording-Charme
Sting
Duets
Review: Ryan Adams: „Wednesdays“ – Selbstmitleid im schönsten Americana-Gewand
Nick Cave – Review des neuen Albums „Carnage“
Daft Punk
Random Access Memories
Foo Fighters
Medicine At Midnight
Neil Young
Dead Man
Blumfeld: Complete Album Series
Paul McCartney
McCartney III
Tom Liwa
Der, den mein Freund kannte
Madsen
Na gut dann nicht
Die Toten Hosen
Learning English, Lesson 3
The Smashing Pumpkins
Cyr
Depeche Mode
Songs Of Faith And Devotion – The 12″ Singles
Ólafur Arnalds
Some Kind Of Peace
Nick Cave
Idiot Prayer: Nick Cave Alone At Alexandra Palace
Review: AnnenMayKantereit
12
AC/DC
Power Up
Stephen King
If It Bleeds
Motörhead
Ace Of Spades: 40th Anniversary Edition Box Set
Nena
Licht
U2
All That You Can’t Leave Behind – Super Deluxe Boxset
Loma
Don’t Shy Away
Jeff Tweedy
Love Is The King
Gabriel Garzón-Montano
Agüita
Gorillaz
Song Machine, Season One: Strange Timez
Bruce Springsteen
Letter To You
Philip Norman
Jimi – Die Hendrix-Biographie
Matt Berninger
Serpentine Prison
Tom Petty
Wildflowers And All The Rest
Markus Kavka
Sufjan Stevens
The Ascension
The Rolling Stones
Goats Head Soup
The Flaming Lips
American Head
